Back in 1968 a pair of Germanic behind-the-scenes sound librarians called Horst Ackermann and Heribert Thusek left a tiny, but indelible, pinprick on the history of German Pop in the misshaped form of a sexy horror cash-in concept album called Dracula's Music Cabinet. Shelved at a micro-cosmic axis where krautrock meets lesbian vampire Horrortica and easy listening meets psychedelia the delayed reaction of this mutant concoction eventually exploded in the mid 1990s in the hands of a generation of 'record diggers' sending currency-crushing tremors through the wallets of mods...

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