'Once I quit my deep adolescent contempt for electronic music with the hexadecimal help of the Commodore AMIGA's FastTracker-program - later combined with the social and bodily experience of a raving multitude, constituted and driven onward by the orders of transnatural sound - I began to play around with the unlikely possibilitys this field kept on unfolding. As we still like to fool around with many of the ways in which meaning and style are being produced.

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